| ube |
|
| ube
makikomi
(gallery) |
| 4. |
Thumb Winding Throw
Your attacker approaches from behind preparing to choke you. Reach over your
shoulder to grab the attacker’s thumbs. Grab his thumbs securely with your
hands, thumbs down. Lift his hands off and turn to your right. Bring his
left arm down across his right arm, at his elbows, thus causing his left
elbow to be locked against his right arm. Wind both of his thumbs in a large
counterclockwise circle, keeping them at opposite poles on the “edge” of
the circle, to execute the throw. Let go of his thumbs once the attacker
is thrown. |
|
| ube shioku
waza
(gallery) |
no reference |
| uchi
内
|
| 1. |
[Common Usage] interior, inner |
| 2. |
‘Interior, inner, inside’. An indirect form of attack. |
| 3. |
(oo'chee)
-
“strike” A collective term for karate striking techniques usually performed
with the snapping motion of the elbow. Uchi is also a compound term
for these various striking techniques.
-
“inner” or “interior” A term used in reference to the execution of certain
judo techniques.
|
| 7. |
interior |
| 8. |
uchi-uke inside block |
|
| uchi gari |
see: ouchi gari |
| ude
腕
|
| 1. |
[Common Usage] arm |
| 2. |
forearm |
| 3. |
(oo'day) “forearm” or “arm” |
| 4. |
arm |
| 6. |
forearm |
| 7. |
arm |
|
| ude garami
腕緘
|
see also: shiho nage and
ude guruma ushiro
| 1. |
[Judo, Ju-jutsu] (lit. Entwined Arm-lock) a joint-lock that applies
pressure on the elbow of the opponent’s bent arm |
| 2. |
[Judo] This is a ground-work technique in which Uke’s arm is bent and
locked, with pressure exerted on the elbow joint. Usually performed with
Uke lying on his or her back. |
| 3. |
(oo'day ga-ra'mee) “entangled armlock” A judo armlock in which the opponent’s
arm is bent and pressure is applied against the elbow. It is the eleventh
technique of katame-no-kata. |
| 9. |
Entangled Armlock
Taking your opponent’s wrist in your left hand, you put your right forearm
underneath his left upper arm and grab your own left wrist, then lock his
elbow joint by pressing against his upper arm with your right forearm. |
| 10. |
[Judo] The practitioner applies pressure on the elbow, while the opponent
is lying on his or her back. Called the “arm entanglement” or “figure four
arm lock”. |
|
| ude gatame
腕固
(gallery) |
see also: ude guruma
| 1. |
[Judo] (lit. Arm-lock) a joint-lock that uses the forearm to apply
pressure directly against the opponent’s elbow |
| 2. |
[Judo] A technique of pressure against an arm joint, in this case the
elbow. Uke’s wrist is held against Tori’s neck and Tori presses against the
elbow with both hands. A variation is to hold the wrist against Tori’s shoulder. |
| 3. |
(oo'day ga-ta'mee) A judo armlock in which the opponent’s arm is locked
at the elbow joint. It is the thirteenth technique of katame-no-kata. |
| 9. |
armlock |
| 10. |
[Judo] Straight arm lock. The practitioner pulls the arm up, and rests
it between shoulder and neck, placing pressure on the shoulder just below
the elbow. |
|
| ude guruma
腕車
(gallery) |
see also: ude-garami and
ude-gatame
| 4. |
shoulderlock come-along
[from a handshake] Slap your left hand onto the back of his right hand and
grip firmly with your thumb over the top of his wrist and your fingers
underneath. Step in with your left foot and bring his hand up in a
counterclockwise circle to your right. As you continue to turn his arm
counterclockwise bring it over your head, pivoting your body to your right.
Continue turning until you are facing in the opposite direction from your
attacker. His shoulder is now locked. Your right hand keeps hold of the
handshake. Your left hand lets go of his wrist and grabs his elbow as you
turn around so you’re facing the same direction as the attacker. Pull his
elbow to you thus arching his back.
shoulderlock pin
[submission following
uki-otoshi] ...bring your right
leg over the lower part of the attacker’s right arm, bending his arm back.
Once his arm is bent, with his palm up, bring your right leg down, turning
toward your attacker’s head and bringing your left leg up. Continue this
motion, bringing your shin back to your body as you lean forward against
his elbow.
armbar submission
[against a right roundhouse punch] ...Move your left hand over the attacker’s
right arm and then under it at, or slightly above, his elbow. Your right
hand rests on his right shoulder. Clamp your left hand onto your right forearm,
thumb and fingers on top. His right wrist is now trapped in your armpit,
and his palm should be up with the outside of his elbow facing down. Raise
your left forearm slightly and push down with your right hand to create pain
in your attacker's elbow locked in the armbar.
also:
‘armlock come-along’
‘armlock pin’
‘armlock takedown’
‘corkscrew’
‘shoulderlock hip throw’
‘shoulderlock takedown’ |
|
| ude
guruma makikomi |
| 4. |
armbar winding throw
As your attacker grabs you with his left hand and pulls you toward him, lean
in slightly so you can more easily block his hit effectively with your left
forearm. Bring your right hand across and deliver a backhand strike to the
side or base of his ribs. Move your left hand over the attacker’s right arm
and then under it at, or slightly above, his elbow. Your right hand rests
on his right shoulder. Clamp your left hand onto your right forearm, thumb
and fingers on top. His right wrist is now trapped in your armpit, and his
palm should be up with the outside of his elbow facing down. Raise your left
forearm slightly and push down with your right hand to create pain in your
attacker’s elbow locked in the armbar. Keep pressure against the outside
of his elbow with your left forearm as you pivot back on your left foot throwing
him. Bring him down to the ground, keeping hold of the armbar position. |
|
| ude
guruma ushiro |
see also:
ude-garami,
ude-gatame and
shiho nage
| 4. |
‘armbar (shoulderlock) rear throw’
‘shoulderlock rear takedown’ |
|
| uke
受け
|
| 1. |
[Aikido, Judo, Ju-jutsu] the person receiving the technique being applied
by the tori. |
| 2. |
-
[Judo, Aikido] This is the term for the partner who attacks and is then thrown
by Tori (or Shite, Nage).
-
[Karate] A defensive movement, generally in the form of a block against the
opponent's attack.
|
| 3. |
(oo'kay) “receiver”
-
The partner upon whom the technique is executed in judo and aikido practice
-
To block
|
| 4. |
person receiving technique |
| 6. |
Fall guy |
| 7. |
attacker or one who floats |
| 9. |
receiver |
| 10. |
-
[Judo, Aikido] The person who is thrown, the receiver.
-
[Karate] A block.
|
Wikipedia description
|
| ukemi
受け身
|
| 1. |
[Aikido, Judo, Ju-jutsu] breakfalls; methods of falling or receiving
techniques safely |
| 2. |
A method of falling to soften the impact of someone who is thrown to
the ground (see Uke, Tori,
Nage, Shite). The only way to dispel the hard impact experienced when
the body strikes the floor (or the Tatami) is to use the
break-falls’ which produce a counter-impact and so nullify to
a large extent the shock to the body. The chief technique is to strike the
floor with the open palm of the hand and the forearm as one lands. See:
ushiro-ukemi,
yoko-ukemi, and
mae-ukemi. In all cases, the
body must stay supple and relaxed with the chin drawn into the chest to protect
the head and neck. |
| 3. |
(oo-kay'mee) “art of falling” or “breakfalling” The art of using
shock-dispersing actions to avoid injury when falling. Ukemi is an
instrumental practice to both judo and aikido. |
| 4. |
fall |
| 5. |
ukemi-waza falling techniques |
| 6. |
breakfalls |
| 7. |
method of falling in breakfall; literally, “falling way” |
| 8. |
falling practice |
| 9. |
technique of falling safely |
| 10. |
[Judo] falling techniques. |
|
| uki goshi
浮腰
|
| 1. |
[Judo] floating hip throw; a basic judo technique that is seldom used
in competition |
| 2. |
[Judo] ‘Floating hip throw.’ A swift movement bringing Tori’s hip into
contact with Uke’s lower abdomen or groin. Uke is raised from the floor and
loses his or her balance forwards. It is the basis of all hip
(Koshi) movements such as
Harai-goshi,
Tsuir-komi-ashi,
O-goshi,
Uchi-mata, etc. |
| 3. |
(oo-kee goh'shee) “floating hip throw” A judo hip technique; the fourth
technique of nage-no-kata. |
| 9. |
Floating Hip Throw
After breaking your opponent's balance to his right front corner, you load
him on your hip and throw him by twisting your hip to the left. Wrap your
arm as far as possible around his body. The throw differs from
o-goshi in that you do not raise
your hips or bend forward. |
| 10. |
[Judo] Floating Hip Throw
The basic hip throw all others are based on. The practitioner uses his or
her hip to pivot and throw the opponent. Counter to tsurikomi
goshi. |
Wikipedia description
|
| uki
otoshi
浮落
(gallery)
(movie)
|
| 2. |
[Judo] “Floating throw”. Tori places one knee on the ground, at the same
time pulling on Uke’s sleeve, causing him or her to pivot on the supporting
leg and fall forward. |
| 3. |
(oo-kee oh-toh'shee) “floating drop” A judo hand throwing technique;
the first technique of nage-no-kata. |
| 4. |
floating drop throw
-
From the ready position, grab your opponent by the collar. As your opponent
moves in to execute a standard basic hip throw
(koshi nage) place your hand
on his shoulder. As you are lifted off the ground for the throw, grab your
opponent’s left shoulder, thus establishing control. As your opponent completes
the movement of the hip throw, add your own momentum to the turn by maintaining
your hold on your opponent’s left shoulder, thus throwing him and causing
him to land at your left side on the mat.
-
Assume a ready position, as your opponent attempts to strike, block his punch
away, stepping in with your left foot at the same time. As you move in toward
the attacker, grab his right lapel with your right hand. Step in beyond the
attacker with your right foot, causing the attacker to lose his balance,
and/or push back against your body with his body. As he pushes his body against
you, fall back towards his left. This will cause him to fall to your left
side.
-
Assume a ready position facing your
attacker. Block his right punch with your left forearm, then step in with
your with your left foot and grab his sleeve with your left hand. Put your
right arm around the attacker's head and kick your right leg to the outside
of his right leg as high as it will go. Have your left leg follow your right
leg so that you have both feet up in the air, your back tight against the
attacker’s chest and his head tight against you. Turn quickly to your left
as you reach your maximum height to bring your opponent over you and down.
[submit with ude guruma,
'shoulderlock pin']
|
| 9. |
Floating Drop
You break your opponent’s balance to his right front corner and pull him
downward with both hands, causing him to fall forward in a circle. Another
way to do the technique is to step back and drop to your left knee, left
toes raised. Pull hard using the combined power of both arms. This form of
the throw is done in the throwing kata and is often more effective of the
two. |
| 10. |
[Judo] Floating Drop
The practitioner drops to one knee, wheling the opponent over the forward
foot. Also called Pulling Down Straight Leg Throw |
Wikipedia description
|
| ura
裏
|
| 1. |
[Common Usage] opposite, reverse; the opposite of omote
[Aikido] rear-entry technique; a technique that is performed by making a
turning movement |
| 2. |
opposite, negative
[Judo] The second part of Koshiki-no-kata, consisting of seven movements
which must be carried out quickly. |
| 3. |
(oo'rah) “reverse,” “rear,” or “reverse side” |
| 4. |
rear |
| 7. |
opposite, reverse, obverse, etc. |
|
| ura
nage
裏投
|
| 1. |
[Judo] (lit. Back Throw) a rear sacrifice technique taught in
the Nage no Kata |
| 2. |
[Judo] “Backward throw”. Tori wraps his or her arm around Uke’s body,
lowering his or her stance and then falling back, bringing Uke down at the
same time. |
| 3. |
(oo-ra na'geh) “rear throw” A judo sacrifice technique; the eleventh
technique of
nage-no-kata. |
| 4. |
‘kneelock rear throw’
‘rear circle throw’
‘rear throw’ |
| 7. |
rear throw |
| 9. |
Back Throw
You put both arms around your opponent from his right side (or from behind),
lift him up, and throw him back over your left shoulder as you sacrifice
yourself by falling backward. Be careful not to throw your opponent on his
head. |
| 10. |
[Judo] Rear Throw
A backward throw. The practitioner wraps his or her arms around the opponent’s
body and falls back, bringing the opponent with him or her. |
Wikipedia description
|
| ushiro
後ろ
|
| 1. |
[Common Usage] from behind, back |
| 2. |
back, rear |
| 3. |
(oo-shee'roh) “back,” “rear,” or “behind” |
| 4. |
backwards |
|
| ushiro nage
後ろ投げ
|
| 4. |
Leg Lift Throw
As your attacker throws a front snap kick, sidestep to your left with your
left foot. At the same time your right arm blocks outward to deflect the
leg and hook it from underneath. After catching your attacker’s calf in the
crook of your elbow, step forward with your right leg and reach for the
attacker's face with your right hand to execute the throw. |
|
| ushiro
ukemi
後ろ受け身
|
| 1. |
[Aikido, Judo] backwards breakfall or roll |
| 2. |
fall to the rear on the back: both forearms and palms strike the ground
simultaneously on both sides of the body. |
| 3. |
(oo-she'roh oo-kay'mee) “backward fall” A judo and aikido technique for
falling without injury. |
| 10. |
[Judo] backward breakfall |
|
[