| hai |
| 1. |
[Common Usage] yes |
| 4. |
Yes |
| 11. |
| 1. |
Yes |
| 2. |
Here (roll call) |
|
| 12. |
Yes; yes, sir. |
|
| hajime |
| 1. |
[Common Usage] to start; a command used by referees to begin a match
|
| 2. |
'Begin!'. The command given at the beginning of a contest by the
referee to the two opponents. |
| 3. |
(ha'juh-may) "begin" Referee's command used to start a
Japanese martial arts match. |
| 8. |
Begin |
| 10. |
Begin |
| 11. |
Start; beginning; earlier part (time) |
| 12. |
Commencement, beginning; outset; origin |
|
| hane
跳
|
| 1. |
[Common Usage]
| 1. |
feather |
| 2. |
spring, jump |
|
| 2. |
wing, to leap |
|
| hane goshi
【はねごし】
跳ね腰
|
| 1. |
[Judo] spinning hip throw |
| 2. |
[Judo] known as the "spring hip throw". Tori presses his or her
bent leg against Uke's legs and, leaning forward, lifts Uke and throws
him or her forward, pulling his or her sleeve downwards |
| 3. |
(ha-neh gohsh) "springing hip throw" A judo hip throw in which the
opponent is thrown over the hip with the aid of the thrower's bent
leg, which helps to lift the opponent off the ground. |
| 4. |
inner sweeping hip throw
Assume a ready position facing your attacker. Block his right punch
with your left forearm. Step in close with your right foot, pivoting
on your left foot. Your right arm should go underneath his left arm
around his body. Hold the attacker tight against you. Your right foot
should be just inside and in front of his right foot. Your right hip
does not block his right hip as much as in the basic
hip throw. Push your right foot and leg outward against his, to
sweep his leg out and up. Continue to move as with a basic hip throw,
balancing on your left leg. |
| 9. |
Hip Spring
You break your opponent's balance to his right front corner, pull
him to your right hip, and throw him with an upward springing action
of your right hip and leg combined with a downward pull by both hands.
For the technique to work properly, the movement of your hips, legs
and hands must be well coordinated. Be sure your right knee projects
past your opponent's right leg so that your leg, hip and chest make
full contact with the front of his body. |
| 10. |
[Judo] Spring Hip Throw or Spring Leg Throw
A throw in which the practitioner steps in front of the opponent,
then "springs" the opponent over the hips and thighs in a circular
motion. |
Wikipedia description
|
| hara |
| 1. |
[Common Usage] abdomen, belly; an area a few centimeters below the
navel; considered the place where the vital energy is stored and generated |
| 2. |
'Belly'. The human body's inner centre of gravity and the source
of breath (energy), which is traditionally located about four centimetres
below the navel, between the latter and the vertebral column. According
to Japanese belief, it is here that profound vital forces reside.
Through the Hara men and women can communicate with the universal
energy, and there Ki is found. 'Deep'
breathing must take place from the Hara, for it is from there
that all the individual's physical and psychic forces emanate. The
art of concentrating all mental and physical forces on this point
is called Haragei. In Buddhism, Hara is called Tanden,
the Japanese translation of the Chinese word Dantian, 'cinnabar
field', the focal point for adepts of the Dao (Tao).
Also called Seika-no-itten. See Ki,
Aiki, Kime, Ibuki, Tanden. |
| 3. |
(hah-rah) "abdomen" Gravity and mass in the human body, traditionally
considered in Eastern thought to be the seat of the soul and center
of ki. Means the same as tanden. |
| 5. |
The pit of the stomach; there is a Japanese belief that the centre
of a person's being is to be found in the hara. |
| 7. |
stomach, abdomen, eg., shitahara-lower abdomen |
| 10. |
The part of the body, usually equated with the abdomen, where the
chi, or life energy, is located. Since chi is essential to the performance
of the martial arts, locating this spot is a technique practiced by
many martial artists. Attention to the hara will increase one's
ability to call on one's chi when necessary, which will increase power.
The art of calling up this energy is called haragei. The hara
is also called tanden, dantian,
and tan tien. |
| 11. |
Stomach; abdomen |
| 12. |
(colloquial) belly, bowels, abdomen, stomach |
|
| harai
払
|
| 1. |
[Common Usage] sweep, as in ashi
barai, leg sweep |
| 2. |
sweeping or reaping the feet from under an opponent using a driving
movement of the foot or leg, producing a loss of balance on one side. |
| 3. |
(ha-reye') "sweep" or "sweeping" |
| 7. |
sweep |
| 10. |
Any sweeping or hooking technique in which the practitioner uses
his or her leg or foot to take down the opponent. |
|
| harai goshi
払腰
|
| 1. |
[Judo] sweeping hip throw |
| 2. |
[Judo] The sweeping hip throw in which Tori's hip makes close contact
with Uke's abdomen and Tori sweeps Uke off balance with a leg action.
Uke loses balance in a forward direction. |
| 3. |
(ha-reye gohsh') "sweeping hip throw" The fifth judo technique in
nage-no-kata. It is performed by using the back as a lever against
the opponent's forward hip, then sweeping up the forward thigh with
one leg and throwing the opponent. |
| 4. |
outer sweeping hip throw
Assume as ready position facing your attacker. Block your attacker's
right punch outward with your left forearm, leaning in slightly towards
your attacker. Block his left punch outward with your right forearm.
Slide your left hand down and hook onto the attacker's right forearm
with your fingers on top and thumb underneath. Push the attacker's
left arm away and down in a clockwise circle with your right forearm.
Move his left arm across his chest toward his right side as you step
and pivot in for a basic hip throw. Grab attacker at his right shoulder
with your right hand. Squat down to set the throw. Sweep your right
leg back, keeping it straight, and making contact on the lower part
of the attacker's right shin as you turn your body to the left to
sweep your opponent off of the ground. |
| 6. |
sweeping loin |
| 9. |
Hip Sweep
You break your opponent's balance to his right front corner, pivot
and pull him to you, then sweep his right thigh with your right thigh.
The technique was devised as a means of throwing an opponent who slips
past your hip when you attempt uki-goshi. |
| 10. |
[Judo] Sweeping Hip Throw or Sweeping Loin
A throw in which the practitioner places his or her hip against the
opponent's abdomen and sweeps the opponent forward over the leg and
hip.
Also, a sweeping technique in which the practitioner sweeps the opponent's
ankle as the opponent steps back. |
Wikipedia description
|
| hasami
鋏
|
| 1. |
[Common Usage] scissors |
| 2. |
(-basami) 'Scissors', a scissor-like
action using either the arms or the legs. |
| 4. |
scissors |
| 7. |
scissors |
| 11. |
scissors; claw (crab). |
| 12. |
scissors, shears |
|
| hidari |
| 1. |
[Common Usage] left |
| 2. |
left |
| 3. |
(hee-da'ree) "left" or "left side" |
| 4. |
to the left |
| 7. |
left |
|
| hidari te nage |
| 4. |
Left-Hand Throw
From the ready position, your attacker grabs your lapel with his left
hand, and holds the knife against your stomach with his right hand.
Quickly turn to your right, blocking the knife hand away with your
left forearm. Your right hand then comes up and grabs the attacker's
left hand with your thumb between his third and fourth knuckle (end
of ulnar nerve). Turn it clockwise away from you. Straighten out your
arm to keep the knife away from you. Start the hand throw with your
right hand, pushing his hand toward him as you pivot your right foot
back in a clockwise circle and turn to your right. Bring your left
arm up in a clockwise circle against the inside of the attacker's
forearm to assist in the throw and to offer continued protection from
the knife. Move your left hand to assist the right hand in the execution
of the hand throw once the throw is under way. |
|
| hiji |
| 1. |
[Common Usage] elbow |
| 2. |
elbow |
| 3. |
(hee'gee) "elbow" The same meaning as "empi", which is of native
Okinawan derivation. |
| 4. |
elbow |
| 7. |
elbow |
| 8. |
hiji-uchi elbow strike |
| 9. |
hiji-ate elbow strikes |
|
| hiji waza
(gallery)
|
| 1. |
no specific entry
hiji gatame [Judo] an elbow
lock
hijikimeosae [Aikido] an elbow lock
hiji ostoshi [Aikido] a pin
using the elbow as a means to control the opponent |
| 2. |
[Aikido] Techniques of attaching Uke's elbows, when practising either
key arm techniques (Ude-hishigi) or strong locking movements
such as Oshitaoshi, twisting movements like Ude-garami,
pulling (Hiki-taoshi), twisting (Ukehimeri)
or bending back (Ude-gaeshi). |
| 3. |
(hee'jee wa'za) "elbow techniques" A series of judo immobilizing
locks against the elbow classified under kansetsu-waza (grappling
techniques). |
| 4. |
elbow-roll takedown
When your attacker grabs your clothing with both hands, bring your
right hand (palm up and slightly cupped) up to your attacker's left
elbow. Bring your left hand (palm down) over his right forearm and
under his left forearm as close to you as possible. Use your right
hand to push his elbow and turn it to your left in a counterclockwise
circle as the back of your left hand comes up against the inside of
his left forearm. Turn to your left as you raise his elbow. Continue
pivoting. Your left hand turns away from you and grabs the attacker's
left forearm (thumb underneath and fingers on top). Continue to roll
the elbow, bringing the attacker down. If brought down swiftly the
shoulder will strike the ground first, causing severe injury, due
to the momentum created by rolling his elbow.
'elbow strike'
'elbow-lift comealong'
'hand-wind elbow-roll takedown'
|
| 10. |
[Aikido] Any technique that targets the opponent's elbow. |
|
| hiki |
| 2. |
to pull, to evade |
| 4. |
pulling |
|
| hiki yoko nage |
| 4. |
Sleeve Pivot Throw
Your attacker grabs your right wrist and pulls you towards him. Do
not resist his pull. Your going to use his strength. Step with your
right foot behind attacker, in the direction of his pull, using his
pulling force to give you momentum. Grab his right sleeve or arm as
you pivot to your left. Pivot your left foot back, going down on your
left knee, and continue pulling his sleeve. |
|
| hiki waza |
| 1. |
[Kendo] technique performed while stepping backward |
| 2. |
[Kendo] When one of the contestants draws back, either to feint
or to give him or herself more space in which to attack. |
| 4. |
pulling technique |
|
| hiza
膝
|
| 1. |
[Common Usage] knee |
| 2. |
knee
Hiza-geri [Karate] A blow using
the knee.
Hiza-tsui [Karate] A 'hammer' blow delivered with the
knee.
Hiza Uke [Karate] A blocking movement in which the bent
knee is raised and used in a similar fashion to a blocking arm. |
| 3. |
(hee'za) "knee" or "lap" |
| 4. |
knee |
| 7. |
knee |
| 9. |
hiza-gashira-ate knee strikes
hiza-zume sitting two fist-widths apart |
|
| hiza guruma
膝車
|
| 2. |
[Judo] 'Knee-wheel.' Tori places his or her foot on Uke's knee,
turned inwards so that the sole of the foot is flat, and blocks Uke's
forward movement; then pulls and turns so that Uke loses balance to
the front. |
| 3. |
(hee-zah-goo-room'ah) "knee wheeling" A judo leg technique in which
the opponent is thrown in a circular wheel-like motion. |
| 9. |
Knee Wheel
After breaking your opponent's balance to his right front corner,
place your left foot on his right kneecap and throw him over it. Pay
particular attention to the placement of your right foot. It should
be neither too close to nor too far from your opponent. Be sure to
curl the toes of your left foot inward and to put it just on the side
of his right kneecap. |
| 10. |
[Judo] Knee Wheel or Kneeblock Wheeling Throw
A technique in which the practitioner places a foot against toe opponent's
knee and pulls the opponent off-balance. |
Wikipedia description
|
| hiza tatake |
| 4. |
(submit following Hane Goshi)
Once your opponent is throwm drop your right knee into his armpit
for submission. |
|
| hon |
| 2. |
'Origin', 'Root', 'Foundation'. |
| 11. |
book |
|
| hon kesa gatame |
| 2. |
[Judo] A technique of holding down on the floor by immobilizing
the upper side of the body. See Ne-waza,
Osae-waza. |
| 9. |
Scarf Hold
Approaching your opponent from his right side and keeping your own
body half turned to your left, you take his judogi
at the right armpit in your left hand and put your right arm around
his neck like a scarf, gripping his judogi at his left shoulder. |
|
| hoppo no kuzushi |
see also: kuzushi
| 7. |
8 directions of off-balance:
- front kuzushi (mamea-no-kuzushi)
- back kuzushi (maushiro-no-kuzushi)
- left kuzushi (hidari-mayoko-no-kuzushi)
- right kuzushi (migi-mayoko-no-kuzushi)
- right-front-corner kuzushi (migi-maesumi-no-kuzushi)
- left-front-corner kuzushi (hidari-maesumi-no-kuzushi)
- right-back-corner kuzushi (migi-ushirosumi-no-kuzushi)
- left-back-corner kuzushi (hidari-ushirosumi-no-kuzushi)
|
|
[